Dawn Wink: Dewdrops

Writing, Teaching, Language, Landscape, Life


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WORDHARVEST Webinars for Writers

cropped-wordharvest21

Those of you familiar with Wordharvest’s Tony Hillerman Writers Conference know of the incredible community of writers of all genres who have gathered for this conference through the years. Wordharvest, founded by Anne Hillerman and Jean Schaumberg, is now expanding our community and the opportunity to attend a conference virtually through webinars on the craft and business of writing.  

At the most recent Hillerman Conference, one of my great takeaways of information and ideas came from Bill O’Hanlon’s workshop on “The Anatomy of Engaging Stories: Elements That Make Readers Keep Reading.” His engaging style and personality kept the information relevant and energy-filled.

I scribbled loads of ideas in my writing journal.

In the spirit of paying it forward, my colleague and Wordharvest faculty member Bill O’Hanlon now brings his expertise and energy to teaching a webinar for writers that I think will interest you:

C.A.R.V.E. Your Platform for Greater Visibility and Income: 
5 Elements That Can Move Your Book Sales to the Next Level

Publishing’s favorite buzzword these days is Platform.
But what is Platform and how do you create a great one to move your readership and success to the next level?

Saturday, May 7th

2:00 pm MDT (Mountain Daylight Time)
One-hour webinar with live Q&A at the end of the hour
$149.00

Bill O’Hanlon is a dynamic presenter.
This informative talk is invaluable for writers of fiction and non-fiction who have a finished book or manuscript.

For More Information and Registration:

wordharvest.com

Bill O’Hanlon is a prolific author. With 35 books published to date, he is eager to coach writers on how to get their books into publication. I’m a tremendous fan. His experience and enthusiastic teaching style are positive encouragement that others can write their books and get them published.

I hope you will take advantage of this unique opportunity.

Dawn Wink

Layers of clouds over Santa Fe.

Layers of clouds over Santa Fe.

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Of Women, Writing, and Wildflowers: Story Circle Writing Conference

Texas Bluebells and

Wildflowers—Texas Bluebonnets and Gallardia along morning run.

.…Help us to bring darkness into the light,
To lift out the pain, the anger,
Where it can be seen for what it is—
The balance-wheel for our vulnerable, aching love.
Put the wild hunger where it belongs,
Within the act of creation…

May Sarton, Without Darkness, Without Light…An Invocation to Kali

Guitar greeting in airport.

Guitar greeting in airport.

A community of women writers gathered together in Austin, TX for the Story Circle Writing Conference.

First, this is what happens when a women’s writing community flocks to a single hotel—and the hotel management is kind enough to respond beautifully, and convert the Men’s bathroom into another Women’s for the duration of the conference. Bravo!

Women's Bathrooms

Bathroom conversion

Urinals with flowers

 

 

 

 

 

 

 

 

 

I was especially grateful for this time, as many of the women I’ve known purely through our internet community and had never met in-person. What a gift to now have faces and spirits to accompany the names on our emails! These days were a time of deep community, and deep laughter and love, deep wisdom on the craft and business of writing: 

Brooke Warner

Brooke Warner, She Writes Press

Brooke Warner, of She Writes Press, kicked off our time together with her insights on the Five C’s of writing:  

1) Community: Support one another and thrive. Work and women thrive in community.

2) Commitment: Page after page. A time will come for everyone.

3) Championing:  Champion your writing, champion other writers.

4) Claiming: We have to claim. No one will give you time to write.

5) Courage: Listen to the calling. 

“Author your story, author your life. This is why women need a writing space of their own.”

Outrageous Requests

Debra Winegarten, Outrageous Requests

Story Shaper, Debra Winegarten, author of Oveta Culp Hobby and a book of poetry (among many other books) with one of the best titles ever There’s Jews in Texas? shared her passion for writing and life by starting her presentation with all of our dancing to It’s all about those Books

One of the ways Debra lives her passion for writing, books, and life is her ritual of Outrageous Requests, which she makes weekly. These requests have opened previously only imagined doors within the writing world.

One of my great take-aways from this conference is to fold this rhythm into my own writing life. I’ll keep you posted this. Perhaps you might join me. 

Susan & Dawn SCN 2016

Susan & Dawn SCN 2016

Susan J. Tweit and I shared our ideas and experiences with “Character as Place” something we are both passionate about.  Here is the presentation I promised to include: Place as Character. Story Circle 2016

Susan and I curled up over hot chocolate and cafe latte to review the final edits of our essay, “Mother Tongues: Two Writers Explore the Words and Cultures that Shape their Connection to Place” in the upcoming issue of Langscape

Susan Wittig Albert

Susan Wittig Albert

Story Circle creator, and New York Times bestselling author, Susan Wittig Albert spoke of the importance of women writing together in community, of the gender bias in the publishing industry. “This bias goes back centuries. Women’s voices have not been as important as men’s throughout history. Women write in community. Women share life stories. These life stories and women’s writing has historically not been valued by the publishing industry.

Women authors receive letters from publishers with feedback such as, ‘This novel would be better with a male protagonist.’ When you look at the statistics of winners of the Pulitzer, the Booker, they are overwhelmingly male. The gender bias extends to book reviews, contests, job opportunities within publishing. Women writers need more champions.”

Thus, Albert created Story Circle, a community that supports and connects women writers. “We thrive in community, in collaboration. We are literary citizens. Communities work best when all play the part of givers, as well as receivers. We do this by paying it forward.” 

Speaking of paying it forward, I have to share a wonderful class starting soon, “Consider Birds: Trading Anxiety for Peace of Mind” taught by Jodi Shaw. Meadowlark will be featured in the course and I get to pop in virtually via video to be a part of the class. Jodi is an incredible artist and inspirer.

She is currently at work on a piece inspired by “song” in Meadowlark. Jodi wrote, “The altered guitar is inspired by a passage in Dawn Wink’s novel Meadowlark between the heroine Grace and her dear friend Daisy. It is all about living your song, which to me means being true to who you are. It celebrates song, authenticity, and the South Dakota prairie.”I can’t wait to see what she creates. Jodi creates magic, beauty, and inspiration through her work.

Song, Artist Jodi Shaw

Song, Artist Jodi Shaw

Consider Birds, Jodi Shaw

Song, Jodi Shaw

Artist, Jodi Shaw

Artist, Jodi Shaw

I returned to Santa Fe to write, run, and muse on all. Let’s all go out and pay it forward, make outrageous requests, champion yourself and others—and listen to the soul of the land. 

Friday evening run with Clyde.

Friday evening run with Clyde.

 


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Write and Retreat: Bone Piles in Silver City, NM

Silver City Sunset

Silver City Sunset

Stories nature our connection to place and to each other. They show us where we’ve been and where we can go. they remind us of how to be human, how to live alongside the other lives that animate this planet…No one story can give us the whole picture. We need every voice to speak its version of truth from silence. We need every story to guide our lives.

~ Susan J. Tweit, Walking Nature Home: A Life’s Journey

This is the sunset that greeted me as my car eased down into the valley after a four-hour drive from Santa Fe to Silver City, New Mexico for a weekend Write & Retreat. Now, what is one supposed to with that—other than to sink deeply into writing and connecting with each other and ideas yet to be discovered.

That’s just what we did.

Write & Retreat Tribe

Write & Retreat Tribe: Melanie Budd, Pam Keyes, Cherry Jamison, Judy Grout, Susan Tweit, Bonnie Hobbs, Linda Jacobs, Dawn Wink, Cindy DuBois, Will Barnes

Write & Retreat creator, Susan J. Tweit, our group of fearless writers, and I spent a lot of time in the “bone piles” of each of our individual stories in Silver City. “Ranchers walk up to most bones,” writes Teresa Jordan in Riding the White Horse Home. “They look physical danger right in the eye and don’t blink. But there are other bones that scare them.”

Silver City charm

Silver City Charm

That’s where we went in our writing—through physical mapping and writing, creating word rings, passages of other writers read aloud to inspire, and ever deepening writing.

We also wandered the streets of the incredibly charming Silver City, walked the creek, and talked about how the land can inspire and tell its own story, explored the incredible art shops, drank coffee and talked about writing and life, drank wine and talked about writing and life, and enjoyed meals together around conversation and friendship. 

We each returned from our weekend together transformed on some way. Our community share their experiences:

Along the Creek

Along the creek. ©Daniel Grout

“First, trust. We talk so often as writers about the ways in which writing can transform our lives, and I know I totally depend on my writing practice each day, just to stay sane. But it isn’t just the daily practice of crafting and making. It’s like the answers are actually in there! There is something really magic about this. In that strange vortex of inspiration and creation, if we can follow it, and trust our imagination and instinct, the pathway will become clear, the words tell us what to do. I think my poems are telling me where to go, and how. So the real work is about listening and about trust. I am not sure how this came to me, but something about all of you did it! And it makes me very happy.” ~ Will Barnes

Together Eating Silver

Community and Conversation ©Daniel Grout

“I was the only person in the retreat who has not had something published but I was treated as a colleague and honored as a writer. This experience solidified my determination to quite wishing I was a writer to identifying loud and proud, I AM A WRITER! I know that by this time next year, I’ll be able to look back and say my life changed for the better that weekend.” ~Cindy DuBois

“Thank you for providing such a safe, supportive, and thought-provoking atmosphere at the retreat. The group energy and sense of kinship was very encouraging. The experience inspired me and broadened my vision of what writing can be.” ~Melanie Budd

Cherry Bone pile

Word Ring © Cherry Jamison

“Among the things that I particularly value about the word and concept of a “bone pile” is that it is so much more elegant than saying that we must each face and go through our own (and our family) “shit” to get to truth, essence or even grace at times. I also appreciate that there is always a choice about whether or not we share what we find in the bone bile. Sometimes facing it is enough, and sometimes it isn’t. I think that we all probably are looking for freedom in our writing and in our lives.” ~Cherry Jamison

~ “Yes, this group was phenomenal. We seemed to meld into such a solid, self-confident, intelligent, supportive, creative bunch. I suspect it had something to do with the leaders teaching us and the lovely environment and perhaps the writing gods zinging us with positive energy. I am honored to be considered a part of this enclave and rejoice that we seem to express a mutual desire for the support to continue.” ~Judy Grout

“Thank you for the wonderful and stimulating retreat. You have a way of bringing out depths of thought which one didn’t know were there!” ~Linda Jacobs

photo

Hatch, NM

For myself, ideas swirled through my mind on the return drive home through the wonderful town of Hatch, ristras of strung chile lining every shop and street, and the long stretches of desert of New Mexico. I returned with a chapter for LOVE STONES that it would not have been complete without and a focus on “re-imagining” areas of life.

Something about our weekend shifted something deep within me and this past weekend found me home—not traveling or teaching or attending any sporting events for kids for the first time in weeks and weeks. I sank into the rhythms of the home, “the sacredness of puttering” or something like that is how Anne Lamott describes this. I checked out of anything online and added another laying of tending to our new home. Inspired by my own clustering and our conversations, I sank into Being Home. I lined linen closet shelves, cleaned bathroom cabinets, and went on long morning runs. I brought order to some of those dark, clogged corners that tend to take us so much emotional energy. I’ve learned to trust that ebb-and-flow of energy and writing and went with it. Oh, and I read and took naps on both days! Heaven.

Beauty of stained glass, stained sky

I returned transformed. That transformation has strengthened my writing and life rhythms these past few weeks in infinitely healthier ways.  

One of those rhythms includes a return to running, something that I have not made time for in my life for the past several months due to life and work commitments. Every morning, with a mutual text from a member of our Write & Retreat tribe, she heads out the door in Tucson for her walk and I head out the door in Santa Fe for my run. The “re-imagining” of other areas of life continues. My journal fills with clusters and maps.

The weekend inspired Susan and I to reserve the weekend of February 17-20, 2017 at The Murray Hotel for the Second Annual Silver City Write & Retreat. 

Sometimes one needs to get away to find what deserves discovery.

Early morning run with swirling sunrise and moon.

Early morning run with swirling sunrise and moon.

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The Haunting of the Mexican Border

Cowboy and flowers on grave ©

Cowboy and flowers on grave © Tim Fuller

I had no idea the blessing I was about to receive when I was asked to review The Haunting of the Mexican Border: A Woman’s Journey by Kathryn Ferguson for Story Circle Book Reviews. I said yes, since how could I possible resist that title? I spent the next few weeks savoring the experiences, ideas, and prose of this book. This is not a book that I read fast. I found myself re-reading sentences for the sheer beauty of the prose and scenes for the powerful experiences conveyed.

Mostly, I was taken with the melding of past and present, as my own experiences growing up on a ranch along the San Pedro River, a vein for Mexican migrants coming to the US, sent me reeling between the intimate familiarity of the rhythms of migration in this region of my childhood and a sense of walking a foreign landscape in the new political landscape that has taken hold since. The review:

“I am not a migratory bird. I’ve always had a place. It is located west of the tall saguaro, south of the dry river, beyond certainty.”

The Haunting of the Mexican Border: A Woman’s Journey begins with this exquisite first sentence that conveys geographical landscape and way of being in the world. Author Kathryn Ferguson brings the reader intimately home for a personal journey that reflects the broader changes of time and place of Mexico, the US, and its intertwined relationship of politics and people.

Copper Canyon, Mexico

Copper Canyon, Mexico

This journey takes us from Ferguson’s Tucson home to the stunning lands of the Barranca del Cobre, Copper Canyon, and the lands of the Rarámuri people of northern Mexico, to create a documentary film, “The Unholy Tarahumara.” Ferguson paints the raw beauty of this land and its people with an experience from her childhood:

“The teacher told us to tear paper so it looked like a random silhouette of mountains. So I chose blue, green, orange, purple, and red paper. I ripped the tops of each page into sharp angles, then into jagged curves. I glued wads of crushed paper on top of paper, all mismatched, all colors. This is how the Copper Canyon looks.” 

Ferguson spends the 1980’s and 90’s with journeys back and forth between Mexico and the U.S. Despite the thousands of miles traveling as a woman alone, she is not afraid for her personal safety. Yet, as time passes, this sense of safety shifts.

The Barranaca del Cobre LIbrado_H9R9174-B-2 vertical copy 3

Barranca del Cobre cowboy ©Richard Speedy

“As I listen to the sunset sounds, I think about early years that I traveled back and forth to make films in Mexico. My desert was an open free place. But I began to hear about increasing numbers of bodies found in the Arizona desert. The remains of people who come to the United States to work or find family.” The consequences of NAFTA and increased border security after 9/11 has been a deadly combination, forcing Mexicans to look for work in the U.S. for survival, and for the first time, sending women and children north, since their husbands can no longer come and go as they once did. Dark spots stain the desert where people have died.

website raven IMG_0729 cropped red copy

Crow ©Page Hilman

Ferguson’s personal journey mirrors greater events. The increase of violence encompasses people from both sides of the border and now marks Ferguson’s own once-safe trips to the desert, as she becomes the target of harassment for Minutemen and other governmental agencies. As the political climate intensifies and more migrants try to cross and die in the desert, the increased militarization of the border grows. I learned a new vocabulary of my childhood homelands of Tucson and Mexico with this increased militarization, including “dusting,” when those patrolling the border lower their helicopters close enough to migrants to kick stones, sand, and cactus into their faces and bodies.

CU Jesus Tree color IMG_2182 copy 2

T-shirt stretched between trees.©Bob Kee

The Haunting of the Mexican Border is a breathtaking work of art. Ferguson’s artistry shines in her prose, polished and raw in a perfect combination, and her ability to convey the beauty and power of humanity. Her love of this place and its people fills every page. This book is especially close to my heart, with its story about lands and peoples deeply familiar and beloved. I read this book slowly, absorbed the language, often re-reading sentences for their detailed precision and the power of what they convey.

Along the borderlands we create shrines, descansos, to mark where a loved one has died. In The Haunting of the Mexican Border, Ferguson has done the magical: created a written shrine to honor a time and people lost, as well as serve as a beacon of hope for the possible. This story of a time and place lifts your heart with beauty, breaks it with reality, and then lifts and inspires again.

Reviewed by Dawn Wink

A writer, filmmaker, and dancer, Kathryn Ferguson lives in Tucson, AZ. She is coauthor of the award-winning book Crossing with the Virgin: Stories from the Migrant Trail.

I reviewed the book, but that was not enough. I wanted to connect with the author, Kathryn Ferguson, for a conversation about lingering questions I had after reading the book. Kathryn graciously shared her time. 

17. Kathryn, desert trail, by Linda V. copy

Kathryn Ferguson on desert trail.©Linda Vogel

DW: Your background is in dance and documentary films, how did you start writing? What was your writing journey? I’ve had actors tell me that writing is like acting—was this true for you and dance?

KF: Writing:

When I was old enough to learn how to read, my dad would pull out a book of Shakespeare and read Macbeth with me. The only things I could remotely relate to were the witches. And the idea that the forests walked. He loved Shakespeare and I loved spending time with my dad, so it made for jolly evenings. My dad liked to write. He was a finalist for Playhouse 90, a big television show. All of American wanted their script produced on Playhouse 90. When he was writing, he seemed absorbed and happy. So I decided to write. I wrote about Martians. My dad would say, “Write about what you know.” That made sense. I felt I really knew Marians and Mars.

Eventually, I wrote in a pink diary that I locked so my big sister couldn’t read it.

When I got into the university, I wrote. We had an assignment to write about someone in our family. I did, and my relative read it. It so deeply hurt that person that I never wrote again. I had no idea words were powerful. I loved the person that I hurt, and felt terrible for years.

Version 2

Kathryn in desert with water jugs.

More than a decade later, when I started making documentaries in the Sierra Madre, I started writing again for the films and about experiences in the wild Sierra. Then, when I worked with other people to carry water, food, and medicine to border crossers on Arizona desert trails, the experience was so profound that I started writing as a way to deal emotionally with what we saw. I wrote like crazy.

Dance and writing: For years, I studied dance and created a dance studio. Mostly dance and writing are not similar except that for both, it is the process that is important. Although you want a good result, it is the process that changes you and lets you learn. The sweat is in the “doing” of dancing or writing, not the stage performance and not the published book. Perhaps in all art, the difficulty is finding the heart of it, the authenticity. For dance, I would lie still on the floor. I wouldn’t move for 45 minutes until the music truly had an effect on me, touching me deep in the center. For writing, I often walk around, water plants, or sweep, until something hits me and I realize that is what I want to write. Then I rush to write it down before it dissolves. Writing is slippery. Gotta grab it while you can.

Saint IMG_0702 Paige

Saint carving. ©Paige Hilman

DW: One of the things that struck me, as I read, was how very different the political climate now, as opposed to the Arizona I grew up in throughout the 80’s. It seems to me that there are distinct chapters in the political environment, the 80’s with fairly fluid borders and the post-NAFTA and 9/11 repercussions that are detailed in your book. Do you sense a political trajectory now in regards to the border and Mexican migrants, after the publication of your book? If so, what is your sense that this will be?

KF: Political climate: In the past, the Arizona/Mexico border was hardly a border. It was a wire fence lying on the ground. We flew over it like birds.

In the 1970’s, Mexico discovered large oil reserves in the Gulf of Mexico. Mexico borrowed from foreign banks. In the 80’s, oil prices dropped drastically and Mexico fell into financial crisis. The peso was devalued and Mexicans could not afford to buy tortillas and bread. Until then, the border was not so complicated, and US created policies that permitted some Mexicans to come and go through ports of entry. When NAFTA was signed in 1994, the wall started to be built. Powers behind the scenes of the trade agreement knew it would displace small Mexican farmers. By the droves, people started to cross the border.

Current politicians want the border wall to be bigger and enforced even more. With that said, I think that the wall will come down. Not in my lifetime, but in the future. In 2006, it cost 2.4 billion to build 670 miles of wall. It is far more expensive now.

All walls come down. The Great Wall of China is now a tourist attraction. And our concept of nation-states, and borders as we know them, no longer functions. I am not sure what will replace the concept, but we are already reducing the importance of place in human actions and loyalties. We are taking steps toward territory-less governing in entities such as business, churches, and strangely, with mafias and the drug trade, one of the best examples of international business and control. Not that what replaces nation-states will be a kinder solution, but our world will be very different.

Kathryn with migrants. ©Norma Price

DW: You’ve spent years taking water to migrants in the desert. You shared some of the stories in the book, are there any other stories about people and experiences that you’d like to share?

KF: Children entering US: We now have children refugees fleeing extreme violence in Central America, violence the US helped create by our actions in the 1980’s. We supported dictators, were complicit in the deaths of many people. What has replaced that is unrest, poverty, and violence in Central American cities. We see children that are sent to the US border alone. They are not hiding. In Texas, they cross a river between Mexico and the US, and turn themselves in to Border Patrol asking for asylum. What parents would send kids on a dangerous journey to a foreign country if it were not a dire necessity? Kids are being killed by powerful gangs. Leaving their country is the only choice for many. These surges of hundreds of children stepping onto US soil and asking for help won’t stop soon.

People are crossing borders all over the world.

Mexicans and Central Americans cross US borders and Syrians enter Europe but the big question is: how will we live on this planet as it permanently changes with global warming? As humans, we are both petty and magnanimous creatures. With the disaster of global warming, I wonder what will happen as people move throughout the world. It seems that for global survival, we have to co-operate with each other. I wonder if that is possible.” 

Kathryn Ferguson will be in Seattle, WA speaking about her books March 1, Ravenna Third Place Books, 7 pm & Bellingham, WA March 2, Vintage Books, 7 pm. Ferguson will  at the Tucson Festival of Books March 12 &13, 2016.

          The Perils of Women Journalists on the Border: A discussion of border journalism as it has been viewed through the eyes of women and the ways those women have influenced our understanding of the shifting boundaries between the US and Mexico. (Sat, Mar 12, 11:30 – 12:30 pm, Social and Behavioral Sciences Tent) 

          That’s Border Life, She Said: Kathryn Ferguson, Gayle Jandrey and Margaret Regan give us a unique perspective of life along the border: Their tales are all told by women. (Sun, Mar 13, 1:00 – 2:00 pm, Student Union Kachina)

After Kathryn and my conversation, I sat and looked up at the desert sky for a long while. I thought of all conveyed in The Haunting of the Mexican Border and happening along my beloved borderlands. During our conversation, Kathryn and I discovered that we had both recently written pieces exploring the commonalities of Syrian refugees and Mexican migrants, each of us recognizing the deep complexities and divisions often driving national and international policy and conversations. Yet as I looked at the sky, I felt great hope. For as long as writers tell the stories of humanity, and keep these experiences alive, so too lives the potential for healing and change.

Sunday Sunrise ©Dawn Wink

Sunday sunrise. ©Dawn Wink

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A Conversation Among Friends: The Writing Life

Anne Hillerman, Jann Arrington-Wolcott, Dawn Wink, Lesley Poling-Kempes, Lucy Moore

Anne Hillerman, Jann Arrington-Wolcott, Dawn Wink, Lesley Poling-Kempes, Lucy Moore

Rising Moon Gallery and Art Center

Rising Moon Gallery and Art Center

So much of a writer’s life is spent in solitude, a condition we crave. Solitude is our oxygen, our life’s breath, the lifeline upon which our work (and rare sense of sanity) depends. So, what happens when you bring a group of writers who crave solitude together? Yesterday this meant friendship, community, thoughts on writing and life—and large doses of irreverence and laughter. 

Preparing for the our conversation

Preparing for the our conversation

Okay, so we’re not a random group of writers. Anne Hillerman, Jann Arrington-Walcott, Lesley Poling-Kempes, Lucy Moore, and me—along with our literary agent Elizabeth Trupin-Pulli and literary conference organizer extraordinaire Jean Schaumburg, are dear friends with deep roots and frequent gatherings of the self-named Literary Ladies of Santa Fe. We meet throughout the year to celebrate birthdays, friendship, conferences, and any other event which gives us an excuse to get together. Yesterday, we gathered together for “A Conversation Among Friends: The Writing Life” at the Rising Moon Gallery in Abiquiu, New Mexico. Our hosts, Jaye Buros and Peggy Thompson, have created a treasure in the high desert, a space filled with textures, art, blown glass, books, color, music, and lovers of literature. This space is a feast for any writer’s or artist’s senses and spirit. 

Ghost Ranch ©Katie Hawkes

Ghost Ranch ©Katie Hawkes

Abiquiu, New Mexico was home to artist Georgia O’Keeffe, whose spirit lives on in an extraordinary community of writers, artists, readers, and lovers of all creative. As we prepared for the introductions, Lesley reviewed our bios with each of us for our introductions. “Whatever you don’t know, just make it up,” I said.

“Yes, we could say that you spent a year living in Malaysia…” she said, “with a sheik!” This is now forever a line in my official biography. 

We dove into a couple of hours of talking, laughing, and wrestling with the beauty, challenges, and reality of the writing life. Because of our combined experiences and the different chapters in which we find ourselves in our writing lives, our conversation highlighted the the variety of paths—and how those paths weave together to create a reflection of a whole. Here is some of the essence of our conversation.

Lucy Moore, Dawn Wink, Anne Hillerman, Jann Arrington-Wolcott

Lucy Moore, Dawn Wink, Anne Hillerman, Jann Arrington-Wolcott

386167.rockwithwings-hc-cAnne Hillerman: Much to Anne’s surprise, she decided to carry forward her dad’s literary legacy in fiction. “I loved my career as a non-fiction writer and really didn’t think I’d move into fiction. Then, after Dad died and people asked if he had any last novel or work and I told them that he did not, I just saw the sadness in their eyes. I decided to continue the story, but to bring Bernie Manuelito, who had always been a side-kick bringing the guys coffee, into the foreground and give her the attention and voice she deserved. As far as making time to write, no matter what the circumstances, life is full of juicy distractions for writers…kids, jobs, partners, friends, concerts, beaches to explore, mountains to hike, books to read, research to pursue and more. If you want to write you have to make it a priority in your life. Otherwise it just doesn’t get done. I try to walk a lot in the mornings. When I walk, those tangled knots in the plot or things I’m wondering about the story seem to fall into place.”

Ladies of the CanyonsLesley Poling-Kempes: “I would just say DO IT with writing. Find support group, set a schedule that is doable, follow your dream/passion with intention, and understand the process is personal YET everyone, even experienced writers, have moments of doubt. Do it your own way. And find support. I enjoy writing both fiction and non-fiction. The research for fiction is fascinating and I enjoy the structure of a non-fiction book. I love the imaginative journey of writing fiction, when really there are really no limits and you create the story. I crave time alone. Even within my hermitage, I am a hermit. Along with that, belonging to a writing community is truly remarkable, affirming. My writing life involves both. I spend most days alone, writing for hours. I also hold a writing workshop here at the Rising Moon Gallery. Each of these parts of my writing life enriches the other.” 

common-ground-book-200x300Lucy Moore: “It’s all about the story — whether the story is from your life experience, or made up out of your head. If it’s a compelling story, one with drama, personalities, maybe lessons, and touches my heart in some way, I want to write it. I find plenty of these stories in my work as a mediator, where people are at their best and/or worst in conflict. I make time to write when it bubbles up in me, often after mulling and musing for awhile as I go about my life. There comes a point, and the pressure cooker pops its lid, and I am writing! maybe for hours at a time, often late into the night. If it’s not fun, I don’t write. I don’t have a schedule. I don’t sit and wonder what I’m going to write. The only question is can I get it down fast enough before it evaporates!? What I usually write are vignettes from my life or work, stories I have heard from someone else about an incredible happening of some kind, turning point, etc. I chose memoir over fiction because I wanted the story to be mine. I wanted to own it and grapple with it, and I wanted the reader to see me doing that. I also wanted to offer an example of opening up your heart and soul and spilling it on the page, hopefully not too messily, to encourage others to do the same, or to think about themselves and their own life-adventures.I don’t like to revise. I love what comes out, straight from the heart. I value that first burst as something authentic, and sometimes I feel that revising takes the “life” out of it…..or maybe I”m just lazy!”

Deathmark_coverJann Arrington-Wolcott: “I didn’t start writing until after 40-years-old. I was busy writing for magazines and raising five kids! I’m glad I didn’t start writing any younger. I needed to live and with the years and experiences, I had so much more to write about. For my latest book, I discovered how fun research can be. I knew I needed someone wildly inappropriate as a love interest for the main character. I was in San Francisco at the time, reading the paper, and found myself reading these advertisements for escorts. That’s my love interest! I called the company and explained that I was a writer, a wife, a mother, and grandmother, I was doing research for a book and wanted to make an appointment with an escort. ‘I just want to talk and do research for a character,’ I told him. ‘Lady,’ the man on the other end of the phone said, ‘I don’t care what you do, but you’re paying by the hour!’ The characters of my books tell me what they’re doing and what is going to happen next. I have a somewhat obsessive personality, which works well for a writer! If I could offer advice to my younger self, I would say: “Stop being such a people pleaser. Believe in yourself. Guard and follow your enthusiasm.”

untitledDawn Wink: “I decided to be a writer when I had three kids, ages three and under. It seemed like a good idea at the time! My writing fits into the nooks and crannies of a busy family and professional life. Most of my writing happens between 4:00-6:00 am. After that, my day belongs to family and work. I’ve learned to trust my body’s natural biorhythms when it comes to writing. I am an early morning person. I light candles and oil lanterns and write during that time. I used to feel guilty about not writing late into the night when the kids slept, I felt I was losing precious time. I now know that it’s far more productive for me to just go to bed, let my mind and body rest, so that I’m ready to awake early in the morning and return to the work of writing. The initial writing process for me is initially highly intuitive. I cluster ideas, for essays, chapters, books. I trust whatever path the clustering takes me during that stage, no matter how wild it seems at the time. I love clustering, because writing is always somewhat of an adventure at this stage, I’m never quite sure what might unfold. Clustering has resulted in some amazing surprises that I never would have stumbled upon otherwise. Really? That’s what’s going to happen? Who knew? Eventually within the clustering, a linear organization of what’s meant to be written takes shape. I write whatever comes for the first draft. Only after that initial intuitive process, do I start to revise, which then feels like a sculpting of the work, a paring away of the excess to highlight the essence of story.”

Conversation 2

Dawn and LesleyOur literary agent, Liz, wrote this of our time together, which offers other insights into the writing life:

“Because each of you is a strong individual, you all had different things to say and you were generous in sharing personal insights/bugaboos/difficulties – it was truly an open-hearted forum. The writers and artists in the audience responded to your answers as they did because they could tell you were being totally upfront and honest. There was never a false moment or a sense that you were performing. You were intent on sharing your own experiences – from the trials and tribulations of trying to write in the midst of child-rearing, home-tending and feeding of family mouths and souls, going to work at jobs to provide sustenance for your families, all the way to being over all of that and still trying to find the right rhythm of writing and all the rest of what makes up your lives.

I like that each of you had a different approach to that so that the audience got the message: there is no one RIGHT WAY to approach the difficult task of writing; you simply must do it according to what works best for you.”

We all agree whole-heartedly—there is no one RIGHT WAY in the writing life. Life IS full of juicy distractions for writers. Create your own path.

Whatever the path, just write. 

Moon over Abiqiui

Moon over Abiqiui

 

 


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Write and Retreat: Silver City, NM

Silver City, NM

Silver City, NM

Write, Workshop, Relax, Repeat...

Gila Wilderness

Gila Wilderness

Are you… Craving creative inspiration? Looking for new insight to fuel your words? Searching for the heart of your work?

Join award-winning author and plant biologist Susan J. Tweit and me an immersion in writing, crafting narrative, and landscape as character in the heart of historic Silver City, New Mexico. Stay at the beautifully restored Murray Hotel, an Art Deco classic right downtown, and close to the Gila Wilderness, Gila Cliff Dwellings, the Catwalk slot canyon hike and more.

February 19 – 22nd, 2016
The Murray Hotel, Silver City, New Mexico

The Details

WRITING WORKSHOP

We’ll write, workshop our pieces, learn from great writing, and explore how landscape and place inspire our stories. You’ll take away new tools & a new understanding of your words and your work!

Note: This is a small-group workshop, limited to 15 participants, with lots of time for interaction and individual work. Participants will have the opportunity for individual consultations.

Gila Cliff Dwellings

Gila Cliff Dwellings

RELAX & RECHARGE

Join us for daily chair yoga and walks. Or get a massage, explore nearby galleries and the Silver City Museum, or curl up and read a book….

Or visit the Gila Cliff Dwellings, hike the Catwalk trail, ramble Silver City for a look at history and art, or soak at Faywood Hot Springs.

WORKSHOP LEADERS 

Susan J. Tweit & Dawn Wink © Nancy Fine

Susan J. Tweit & Dawn Wink © Nancy Fine

Susan J. Tweit is an award-winning writer and plant biologist with a passion for words, stories and life itself. She is the author of twelve books, including the memoir Walking Nature Home, and hundreds of magazine articles, columns and essays for markets as diverse as Audubon Magazine, Popular Mechanics, the Los Angeles Times, and public radio. She teaches workshops across the country.

Dawn Wink is a writer and educator whose work explores the tensions and beauty of language, culture, and place. Wink’s non- fiction includes “Raven’s Time,” “Wild Waters: Landscapes of Languages,” and Teaching Passionately (with Joan Wink). Her novel Meadowlark was a finalist for the WILLA Award, High Plains Book Award, and NM/ AZ Book Awards. She lives with her family in Santa Fe.

DATE: February 19-22, 2016, a beautiful time in Southern NM! Location: The Murray Hotel, 200 West Broadway St., Silver City

COST

Workshop includes workshops, readings and individual sessions, plus field trip: $600 ($50 discount for previous W&R attendees!)

Murray Hotel

Murray Hotel

Lodging: The Murray Hotel is offering a special workshop rate of $84 per night for their double-queen rooms, including continental breakfast. Make reservations directly with the hotel by calling 575-956-9400. You must mention Write & Retreat for special rate.

Food: Lunches and dinners will be catered by the Murray, except for one night at a local restaurant. The cost is still being worked out, but should run no more than $50 apiece per day.

Companions are welcome to join us for meals and field trips on a space-available basis for a reduced fee.

Click here for workshop brochure

Take a peek at the Murray Hotel

Questions & to Reserve Space: Email tweitdesk@gmail.com

 


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Tony Hillerman Writers Conference 2015

Dawn Wink, Jann Arrington-Wolcott, Anne Hillerman, Jean Schaumberg

I am over the moon to be included again in this year’s Tony Hillerman Writers Conference. Wordharvest  just sent out this update about the conference. I’m so glad to share with you. We hope you will join us at the conference!

Tony Hillerman Writers Conference MCs

We are delighted to introduce the two fabulous women who will share MC duties with Anne Hillerman this year. 

Dawn Wink and Jann Arrington-Wolcott have a long association with the
Tony Hillerman Writers Conference and we are delighted that they will join us in November.

Dawn Wink is a writer and educator whose work explores the beauty and tensions of place, culture, and language. She is Director and Associate Professor of the Department of Education at Santa Fe Community College. Her books include Teaching Passionately; Raven’s Time; Wild Waters; and Meadowlark: A Novel, inspired by the stories that her mother told about her great-grandmother who lived on a ranch in South Dakota. Dawn was MC for last year’s New Book/New Author Breakfast. Her next book, Love Stones, will be published in early 2016.

Jann Arrington-Wolcott is a third-generation New Mexican. Her colorful family tree includes a frontier sheriff grandfather, a Harvey Girl grandmother, a native American great-grandmother, a Methodist minister great-grandfather, and “an assortment of horse-thieves and train-robbers—a great mix of sinners and saints.” Jann is the author of the thriller Brujo, and an award-winning coffee table book, Christmas Celebration: Santa Fe Traditions, Crafts, and Foods. Her long-awaited thriller, Deathmark, made its debut in 2014. Eye of the Raven, the revision of, Brujo, is scheduled for a November 2015 release.

Visit www.wordharvest.com and register for the
2015 Tony Hillerman Writers Conference.

We hope to see you there.

Anne and Jean

Conference Tips

DRESS SUGGESTIONS: Dress casually and be comfortable. Wear your jeans if you want to. We will. You might want to have a light jacket or sweater while sitting in the sessions. Conference room temperatures vary. Bring something business dressy for the Saturday banquet.

WEATHER IN NOVEMBER: Winter weather will be settling in but days are normally sunny and clear. Nights can be cold. Dress in layers when you go out. Santa Fe is at an altitude of 7,000 feet. If you are not used to the high altitude give yourself time to acclimate. Drink plenty of water to keep hydrated and be mindful of alcohol consumption. It will get to you much quicker than at lower altitudes.

We look forward to seeing you at the 2015 Tony Hillerman Writers Conference
November 5 – 7 – Hilton Santa Fe Historic Plaza, 100 Sandoval Street